Q20. Can
Sensei describe his teachers? What kind of teachers and human
beings were they?
IS.: All the teachers in Kochi were Igosso (strong characters). Igosso is Kochi
dialect.
Yamamoto Takuji sensei's iaido was very dynamic. He took the dynamic part mainly
from Oe sensei. I was strongly influenced by Takuji sensei, so my iaido is 80%
dynamic and 20% graceful. Harumasa sensei was calm, mild and warm-hearted. Mori
sensei was very precise. He respected Kochi teachers, so he didn't correct me.
But he used to say Oe sensei's iaido was 50% dynamic and 50% graceful. He added
his iaido to my iaido. He said, "Your iaido is very dynamic. You don't
need to change your iaido. Do 'Your' iaido". I tried to take the best points
from all the Sensei, but it was Takuji sensei that influenced me the most.
Q21. Can Sensei tell some anecdotes about his teachers which describe their
characters etc?
IS.: Yamamoto Sensei was a very independent man. Even when he was hurt or cut
he would treat himself, he did not go to see a doctor.
Harumasa Sensei was married but he had no children, so he died alone. He was
very calm with people, he was very kind to people from outside Kochi (he treated
them like guests). However, Harumasa Sensei was a “devil” when he
taught, he was very strict.
Takeshima Sensei of Kochi was taught by Harumasa Sensei. Kochi people tended
to protect each other so they trained very hard and seriously together. Takeshima
Sensei has many of the characteristics of Harumasa Sensei. He doesn’t
generally teach people from outside Kochi, so the students from England should
feel very honoured, and I am sure they are.
Maybe I was the first person from outside Kochi to be taught like this by the Kochi Sensei. All three got together to decide if they would teach me. After 3 months Harumasa Sensei said yes but people had to teach me harshly so I would give up and go away. They failed, although they taught me for five hours at a time without a break, I kept going to Kochi for more tuition. The hard work was very good for me and I think in the end they respected me for my effort.
Mori Sensei was a very intelligent man, and did very beautiful and precise calligraphy.
As I said he and Hokiyama Sensei were classmates, and they promised each other
to make a very precise book about Oe Sensei’s iaido. However, Hokiyama
Sensei was a very heavy drinker and died at only 40 (he had very high blood
pressure), therefore Mori Sensei could not write the book. He thought that if
he wrote the book with Hokiyama Sensei as the Soke people would respect it.
If he published on his own it wouldn’t be respected. When I published
my first book, Mori Sensei was very happy and I asked him to write the foreword
for the book.
Q21b When did Yamamoto Harusuke Sensei live and in which part of Shikoku?
IS.: Again you will find the dates for when Yamamoto Sensei lived in my book.
He lived in a part of Kochi.
Q22 Can Sensei tell me something more about his research into iaido and the
books/articles he has written?
IS.: Since I learnt Tosa iaido under Yamamoto Takuji Sensei, Fukui Harumasa
Sensei, Taoka Tsutau Sensei, and Shimazaki Teruyuki san I thought I should write
an outline of wazamae that I learnt in Kochi so as not to forget in the future.
That was the beginning of my book writing. I named it SHI DEN KAI KO - TOSA
NO EISHIN RYU (also known as The Red Book), and started to write the articles.
It was necessary to study Koryu enough to write a book. So I started to trace
the origin of Koryu.
I started to study books by Kono Hyakuren Sensei. He was taught by Hokiyama
Namio Sensei (18th Soke) especially, and after Hokiyama sensei passed away,
he was taught by Fukui Harumasa Sensei (19th Soke). He had enough practical
training and studied the reasons very much. He redoubled his efforts to study
Koryu and became the 20th Soke. One of his books is an explanation of the 45
hon practice, another one is a study of Koryu. In his last years he deplored
the wrong ideas people had of iaido: waza were done incorrectly and even changed,
and so he wrote a book called TAN I ROKU. He published several excellent books.
He did his best to teach the iaido people at that time (Showa). I read these
books and practiced every day. That helped me a lot to finish Kochi practice.
I was very much enlightened by them. I felt I started to gain firm confidence
from the lessons by Yamamoto Sensei and the study of Kono sensei's books.
I could not publish my Red Book when I initially wrote it as I was only 50 and
I didn’t think it would be very well accepted. Around this time Nippon
Budo Shinbun was still publishing in Kyoto. Many ideas about budo and the present
budo situation appeared in the newspapers. There were various kinds of individual
opinions among them. I thought of contributing articles. I thought someone would
answer my questions and teach me. I started to contribute every month for 4
years from 1963. My article appeared almost every month. However, I was disappointed
in my expectations. I did not get any answers. On the contrary I had a bad reputation,
"an impertinent fellow", so I stopped.
I was around 50 years old then. I was thinking of reasonable iaido day and night
and wrote freely without reserve. It was very useful for me to write books.
I published these as an at-random commentary iaido book, TANBO KAIKO (the cover
is dark blue.)
I finally published Shi Den Kai Ko - Tosa No Eishin Ryu when I was 70, and by
then I was respected and most people accepted the book. I re-wrote the book
5 times over the 20 years as I learnt more, so perhaps the delay was a good
thing.
A) Soda Torahiko Sensei (the 16th, Shimomura Ha): Soda Torahiko Sensei learnt
under Yukimune Sadayoshi Sensei (the 15th Soke, Shimomura Ha.) He was a Shimomura
Ha expert and had copies of the reference material Yukimune Sensei had. He was
an excellent Shimomura Ha teacher. I heard his son lived in Tokyo. I asked him
about the copy of the reference material on iaido. He kindly gave me the copies
he had. There were very valuable documents, such as Oe Sensei's students' articles
and Shimomura Ha and Tanimura Ha teachers' articles that were contributed to
Nippon Budo Shinbun in 1926. Moreover, there were copies of Yukimune Sensei's
writings about Shimomura Ha Koden, commonly called Muso Shinden Shigenobu Ryu
Record. Soda Sensei copied them. They were really useful and I could study a
lot. There were Nakanishi Sensei's articles and a man who was from Kochi contributed
from Manchuria. The reference material helped me to learn about the Kochi iaido
teachers' activities and facilitated much my study of iaido in Kochi. I appreciated
these precious copies and I put some of them in my book, TANBO KAIKO.
B) Research into the old traditional books.1) Research into the book, KENDO
SHÛGI: Kendo
Shûgi was written by Yamada Jirokichi Sensei, a kendo teacher at the Tokyo
Commercial University. I knew the book had many useful old writings when I was
contributing to Nippon Budo Shinbun. I asked my friend to buy one for me. He
graduated from the Tokyo Commercial University. I started to research into the
book. There were a lot of explanations about budo ryu ha (budo schools), a lot
of Kubota Sugane Sensei's writings, GORIN NO SHO, and so on. There were many
original texts in the book. I researched into the book and extracted the parts
useful for iai and published them in a book form. I named the book IAIDO SHÛGI,
the third book I published (the cover is light green). Kubota Sensei was a teacher
at KOBUSHO, a kind of school, in the last days of the Tokugawa shogunate. There
were a lot of useful explanations about the old traditional kendo and iaido
techniques and how to teach. His book was very helpful to my study of these
techniques.
2) Research into GORIN NO SHO: I found Gorin no Sho explained by Kobayashi Ichiro
in a second-hand bookstore in Kyoto in 1988. I studied it with all my heart.
He explained the book as one of the old traditional books. However, the explanations
are like ones by a martial artist. I have never read such a good book as this.
I keenly realized we should study and practice kendo and iaido aiming at Gorin
no Sho as our objective/goal. I often re-read it even now.
3) Research by reading various books: You can learn MUSO JIKIDEN EISHIN RYU
techniques well enough, if you study the books by Kono Hyakuren Sensei very
hard. However, you can't learn mentality well enough, even if you study iaido
writings very much. Yamaoka Tesshu Sensei, a famous swordsman and statesman,
finally completed his kendo by zen.
After learning in Kochi, I thought of mental training. I tried to find good
books. I read the books on zen by Suzuki Taisetsu Sensei. I read KEN AND ZEN,
YUMI AND ZEN, and so on. Mental explanations are very useful to improve techniques.
However, there weren't so many good books to help techniques. I read a book
about Noh play (drama) and I was impressed. Noh has been keeping strictly to
its old tradition and the people have been putting old things into practice.
They have warned against changes in the body movement. They have kept the admonition
in mind.
4) Study techniques and reasons by adopting ideas from newspapers and magazines:
We can find the articles about the people who succeeded technically by making
efforts. Their mental processes through their efforts are very similar to ours.
When we read about their achievements, we can adopt their experience to improve
our iaido. I always look for this kind of articles. I try to keep useful things
in my mind. Of course I can't keep all of them, but I do try to keep them in
my mind. I also enjoy reading the books. I often go to the bookstore. I was
impressed most by Mr. Matsushita Konosuke, the first (Matsushita) Panasonic
president. By his achievement and words and deeds, we can learn a lot. He studied
by himself, not at schools. His words, deeds and mentality are very useful to
us.
Q22b Was Shimazaki san a budo teacher?
IS.: No he was not a budo teacher. He loved iaido very much and was especially
interested in Oe Sensei’s iaido.
Q22c When did Kono Sensei take over as the 20th Soke?
IS.: Kono Sensei became the 20th Soke before Fukui Sensei died, so for a few
years (maybe as many as 10) both the 19th and 20th Soke were alive.
Q22d Where was Kono Sensei from?
IS.: Kono Sensei was a native of Oita in Kyushu.
Q22e Sensei mentions Nakanishi Sensei, who was he, was he from Shimomura-ha?
IS.: Nakanishi Iwaki sensei was one of Oe Sensei’s deshi and he practiced
Tanimura-ha.
Q22f Kendo Shûgi – is it an old book?
IS.: Yes, it is an old book. It is mentioned in the back of my light green book.